Holds a Ph.D. in classical and electroacoustic music composition from the University of Birmingham, UK.
Post-doc researcher in music theory and analysis at the University of Music and Performing Arts Graz (KUG), working on the project Points of Discontinuity funded by the Austrian Academy of Sciences (FWF).
Entrepreneur in the field of art & technology with the project Marte, aiming to develop a new supporting environment for emerging, experimental, and independent artists, and audience development strategies in rural areas and suburbs. The project has been nominated among the 9 best international projects of the CLIC Startup Competition organized by the Institute for Research on Innovation and Development Services (IRISS) of the Italian National Research Council (CNR) in the field of cultural heritage adaptive reuse, and is currently officially promoted by the Italian Alliance for Sustainable Development (ASviS).
His essay titled Il barAtto Democratico, proposing an innovative utopian governmental system for the sustainability and dissemination of culture in Italy, was awarded the third prize at the 12th Nabokov International Prize for Literature.
Contributor to the open-source software SuperCollider. Live-coder. Can program in numerous languages, among which C++, Qt, Lilypond, Matlab, Ruby on Rails, PHP.
Has been invited as artist-in-residence and artist-in-retreat by the Centre for Art and Media (ZKM), Britten-Pears Foundation, and Torino Solitunes Festival.
Published on topics related to A.I., music theory and perception, art-science-technology, and feminism.

Other useful links: my CV my LinkedIn

Contact: dnllcu[at]gmail.com